Sonecitos de la tierra, parte dos.
A Berkeley professor/feminist once told me that from a very young age, she had to master the art of the frown to be taken seriously, and not seen as just a beautiful woman. In thinking about Adios mi chapparita, the objectification of the woman, and the “feminization” of nostalgic objects is intriguing as it reminds us of a time that not just happened then, but is happening now on a daily occurence.
ريم 